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Monthly Archives: September 2013
Stages
By Gregory Keer
Last January, my eleven year old tracked me down in my fortress of solitude, the bathroom, and launched into “Suddenly Seymour,” his audition tune for the public arts academy he desperately wanted to attend.
Despite all the love and support I harbor for my child, my reaction was swift as I cried, “Let me poop in peace!”
This sent Jacob into a fit of laughter before he collected himself and continued his song in complete ignorance of my compromised state.
By the time he hit his final note, I had long forgotten where I was or what I had intended to do there. I just applauded.
“That was the best I’ve ever heard you sing,” I told Jacob.
My son gave me hug, at which time reality hit me that I was sitting over a toilet bowl.
“Thanks, Dad, now I can let you poop in peace,” he laughed as he took off.
Whether he’s standing on bathroom tile or auditorium floorboards, my son loves the stage. It started early, when we took a three-year-old Jacob to see his older brother in a theater-camp production of The Sound of Music. We had to hold back the nascent thespian from leaping to join “Do-Re-Mi.” Even as Benjamin grew more self-conscious about performing, Jacob’s theatrical bug never stopped buzzing.
Sometimes, that buzzing got on our nerves. We were frequently torn between encouraging his creative, outgoing nature and protecting our senses from his often disastrous training. There were countless nights when he belted a medley of the Top 40 all day long, from every room in the house – and mostly off key. He didn’t know he was out of tune, nor did he care. He also had the habit of trying to force his vibrato to sound like Justin Timberlake – only he wasn’t Justin Timberlake.
There were the mornings we awakened thinking clowns were ransacking our home when it was just Jacob leaping around his room, rehearsing hip-hop moves he learned in his after-school program. On countless occasions, we sat with frozen smiles while we watched him do modern dance versions of movies like Iron Man 2.
There were all the elementary-school plays, the ones Jacob made us practice with him for weeks, even when he only had one line to say. Worse yet, given Jacob’s perfectionist streak, we endured his criticism of how we delivered our parts: “Daddy, I really think Zeus would sound much bolder than you’re saying it.” You know there’s something wrong when your eight-year-old makes you feel like you’ll never work in show business again and all you wanted to do was help him understand a Greek god’s emotional fragility.
As anxious as Jacob’s relentless practicing of his skills made us, nothing compared to how he felt every time he tried out for a part he didn’t get or was made fun of by peers who found his theatricality not macho enough. Each time this happened, Jacob would come home angry or in tears, and we would boost his ego for being brave enough to take risks. Yet it was mostly his own sense of resolve that motivated him to try all over again.
In this last year of grade school, all of Jacob’s practice seemed to pay off. After three years in the back of the chorus, he moved to the front because he had improved his vocal pitch. After years of musical instrument obscurity, he learned the ukulele and became a soloist at his graduation.
And after endless sessions spent rehearsing dance moves, song stylings, and acting chops, he auditioned for the performing arts academy with so few available spots and so many dreamers vying for them. Weeks later, the email came with the word “Congratulations” on it. Jacob shouted and jumped high, but landed soberly and said, “What’s for dinner?”
Who knows if this opportunity to learn in an arts program will lead to Jacob’s success on Broadway or in Hollywood? What I do know is that, as much as my son has learned to follow a passion, he knows that there’s more to life than a stage. More important than any lead part is that Jacob has learned about working hard, enjoying triumphs, and weathering fear and failure. He’s also learned to balance his theatrical pursuits with friends, family, and soccer, a game he still loves. These lessons will serve him as he makes the transition from the smaller elementary school stakes to the bigger ones in middle school and beyond.
As he takes on this next challenging phase of life, I am so very proud of my boy. So proud that I’ll let him interrupt my bathroom privacy any time he wants to break out into song.
For more on middle-school change, see Middle Earth.
What Dads Need to Know: I Don’t Want to Go to School!
By Betsy Brown Braun
Now that the school year has begun, it won’t be long before one morning you’ll awaken to the declaration, “I don’t want to go to school.” It’s a cry, actually more of a plea, which every parent is likely to face at least once, if not ten times, each school year. It’s never music to your ears.
Not wanting to go to school for the younger child or proclaiming “I’m not going to school” for the older ones, can challenge even the most savvy parent. How easy life would be if there were a one size fits all answer that you could whip out of your back pocket. But the response to this showstopper will be different for every child. It will depend upon your child, upon what’s going on in his life, and upon you and what’s going on in yours.
“I don’t want to go to school” seldom means just that. It is usually the tip of an iceberg. There is either a need that is not being met or a cry for help about something. It is your job as parent to play sleuth and figure it what is really going on.
Here are a few tips for figuring out what’s behind “I don’t want to go to school.”
Ask yourself how long it has been since school began. It takes 6 full weeks for a child of any age to dig in and get comfortable in school. Give it time before assuming the worst. The child may not have adjusted to a new schedule, may not know the ropes and feel overwhelmed, may still be in transition. Give it time.
It is not likely about school. With preschool age children, the issue is often about separation. Learning to attend school without a parent is very different from being left at home with a sitter but without you. Remember, the process of separation can take anywhere from a few days to a few months. It takes time to form a trusting relationship with a teacher and to make new friends. Your child just might prefer to be home with you.
What is going on at home? If grandma is visiting, if Mommy is taking a sick day, if little brother is having a playdate, if the workmen are at his house, the child might want to be at home where the action is.
Is she not well? Your child just might be coming down with something. You know that when you feel sick, your get up and go is gone! But beware of the child who feigns illness to get out of school.
With elementary school age children, all of the above may be at the source, but any of the following may also be the cause:
Does your child feel that she doesn’t fit in? As children mature, so too grows their social awareness and their need to fit in. Does she feel that she has no friends? It’s no fun to go to school if you feel out of it or feel like you have no one with whom to eat lunch.
Friend trouble? It can be difficult to face social issues. Things that you might brush off can deeply affect a child and make staying home a much more appealing option.
Is there teasing or bullying going on? You’ll have to do a lot of fishing, as it can be hard for children to ask for help with teasing or bullying. Elementary school age children often think they should be able to tolerate or solve these problems, but they can’t. Staying home enables the child to avoid them all together.
Is the course material too difficult? Fear of failure is enough to make a child want to stay home. And her pals’ awareness that she is having trouble makes it even worse.
Is your child bored…really bored? There are some students who are just that advanced. Without a challenge or new material, school can be pretty dull. Teacher trouble? The child who has gotten in trouble, has had a consequence imposed, is embarrassed to be outted, just may not want to go to school and face the music.
With middle and high school age children, all of the above may apply, but in addition:
Social issues are the number one cause of a child refusing to go to school. There can be bullying or teasing on the campus or via cyberspace.
Genuine fatigue can be debilitating. Teens need much more sleep than their interests and life styles allow them. You child may be exhausted. Period.
The method for uncovering what is underneath your child’s school refusal will be different for every child. What is the same, however, is every child’s need to be heard, acknowledged, and understood. That is the first step in solving the problem. When the child knows that his feelings and problems are heard, he will be much more open to brainstorming about a solution.
Betsy Brown Braun, is the bestselling author of the award winning Just Tell Me What to Say (HarperCollins 2008), and You’re Not the Boss of Me (HarperCollins, 2010), also a best seller. A child development and behavior specialist, popular parent educator, and mother of adult triplets, and grandmother, she is a frequent speaker at educational and business conferences, has been a guest expert on Today, the Early Show, Good Morning America, Dr. Phil, Entertainment Tonight, Rachel Ray, Fox and Friends, and NPR, and has been cited in USA Today, the New York Times, Family Circle, Parents, Parenting, Woman’s Day, Real Simple, and Good Housekeeping among countless other publications and websites. As the founder of Parenting Pathways, Inc., Betsy offers private consulting and parenting seminars as well. She and her husband live in Pacific Palisades, California.
Family Man Recommends: Children’s Music Reviews – September 2013
Reviewed by Gregory Keer
Our October reviews begin with one nutty and wonderful project by Heidi Swedberg and the Sukey Jump Band. Led by the singing and ukelele-playing Swedberg, who made a comic name for herself as George Costanza’s Seinfeld fiancee, My Cup of Tea brims with whimsy and theatricality. Among the sparklers of the thirteen tracks are “The Owl and the Pussycat,” “Istanbul” (a reworking of the classic They Might Be Giants piece), and “Boogie Man.” Swedberg and her band are having so much fun making great music, it’s hard not to get caught up in it — and claim this is one of the year’s best musical surprises.
Already known as a kindie music innovator with the Deedle Deedle Dees, Lloyd H. Miller steps into the spotlight with S.S. Brooklyn. Marked by a stripped-down production, with the help of producer Dean Jones, to let Miller’s messages and musicianship breathe, the disc centers on the creativity and history of the New York borough of Brooklyn. In fact, this collection rises from the number of Sing Along With Lloyd performances Miller has done to support Brooklyn in the aftermath of Superstorm Sandy. Good intentions meet good performances on such tunes as “I’m Gonna Light Up the World,” “Working on a Bridge,” and “Big Trip.”
Smiley Face Sticker is the debut project of the witty wordsmith who calls himself Mr. Palindrome (real name: Natan Kuchar). Based in Australia and educated at the Berklee College of Music in Boston, Mr. Palindrome makes some nifty tunes out of a lot of nonsense through the title track and songs such as “Backwards Alphabet,” “Alove Alliteration,” and “Onomatopeia (On-O-Mat-A-Pee-Yah).” Listening and playing along with the verbal gymnastics should be great fun for parents and pre-school to early grade-school kids.
With its mission to inspire greater “physical health and overall well-being” in preschool-aged children, the Ohmies is a live stage show and a developing TV series from creators Laurie Miller and Ben Tollefson. Character-driven music from their show is now on record, produced by Tor Hyams, and includes the movement motivating “We’re the Ohmies,” “Wag Your Tail,” and “So Much Fun Together.”
Other discs notable for this rundown of children’s music reviews include new releases from prolific performers. One the groundbreakers of family music, Tom Chapin, delivers The Incredible Flexible You, a masterfully crafted project with songs aimed at helping children with the ins and outs of social interaction. And Chris Ballew, known to a legion of children and parents as Caspar Babypants, makes the Beatles catalogue his sandbox for Baby Beatles. Ballew is both faithful and playful as he reinvents this tunes for young ears.
Family Man Joins Life of Dad for Dads Doing Good Video
I had an amazing time working once again with director David Guest from Life of Dad for an installment of their Dads Doing Good video series, sponsored by Honda. In this video, we transported a bunch of materials and equipment in two spiffy Honda Odysseys to a baseball field in Hawthorne, California. There, David, contractor Ken Pepper, and a bunch of dedicated coaches/dads went to work improving a Little League Baseball field. Along with help from the kids at the Holly Park Little League and a film crew (including my own 15 year old son), we spent the day refurbishing a backstop, painting and putting up safety boards along the bottom of the fences, and installing a new pitching mound and pitcher’s rubber. We also presented the hard-working kids with new bats, balls, and helmets. What was especially impactful was getting to know the number of league coaches, who talked about giving back to their community as fathers and role models as they teach the kids to pitch, hit, throw, catch, and run. The video below tells the rest of the story in ways words just can’t convey. Special thanks for Tom Riles and his crew at Life of Dad for including me on this project.


